"...the perfect antidote for those who've overdosed on holiday cheer."
(January 9-15, 2003)
"Seven Acts of Violence" is chosen as The Boston Phoenix's Pick of the Week. (January 10, 2003)
"Waller's postmodern dance-theater troupe And So No Sin has quietly choreographed a legacy of brutality over the past couple of years, but the gloves are coming off for the group's latest ass-kicking production..." --Carly Carioli (January 3, 2003)
"Art or Hostage Situation? The And So No Sin Performance Troupe...uses sounds to suggest mysterious and sometimes disturbing tableaux..." --Dave Wildman (May 5, 2002)
"...an experimental melange of political improvisation, absurdist dance, and lots of blindfolds." (May 5, 2002)
New England Entertainment Digest highlighted And So No Sin's "If You Close Your Eyes It's Sound Art" as a select preview item.
(May 2002)
"Waller's previous work has incorporated political satire, performance art and knockabout comedy...Look forward to auditory antics and high jinks galore." --A. J. Mell (May 1-8, 2002)
"Perhaps best described as a satirical Power Point presentation inflected with episodes of live subjective despair...[a] successful work...Waller contributed a series of laudable dances...Pipp's videos and computer projections [were] both terrifying and hilarious..." --Theodore Bale (October 18 - 24, 2001)

"The modern dance scene would stagnate if it weren't for artists like Alisia Waller....Her performance was quite extraordinary... [It was] an evening of provocative and youthful iconoclasm." --Theodore Bale (October 12, 2000)

"...it's got to be more interesting than staying home and renting 'The Sixth Sense' again."--Hayley Kaufman (October 6, 2000)

"Waller...tells us that aside from exploring violence and entertainment, her troupe's ambition is 'not to be boring.' Laudatory sentiments indeed -- especially for the avant-garde. We're so there." (October 6, 2000) 

 
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